• Watch Tom Cruise Roll a Fiat 500 in ‘Mission: Impossible — Dead Reckoning' | Anatomy of a Scene

    Ethan Hunt has found himself in many elaborate car chases throughout the “Mission: Impossible” franchise. But while the stunts have gotten bigger, this time, the car has gotten smaller.

    In “Dead Reckoning Part One,” a Fiat 500 becomes the star of a sequence set in Rome involving Ethan (Tom Cruise) and Grace (Hayley Atwell). The two find themselves handcuffed to each other as Ethan gets behind the wheel of their tiny getaway vehicle.

    Narrating the scene, the director Christopher McQuarrie said the inspiration for it occurred to him when he was scouting locations in Paris for a chase sequence in “Mission: Impossible — Fallout” and came across a Fiat 500 parked along the Seine.

    “I thought it would be great, the idea of watching Ethan Hunt and Tom Cruise driving in a car like that,” he said.

    This scene includes more humorous moments than the series’ previous car chases. And it involves Cruise having to navigate the Fiat around cobblestone streets, which the actor did himself.

    A climactic moment in the scene involves the Spanish Steps, when the Fiat bumbles its way right down the monument.

    #newyorktimes #missionimpossible #tomcruise #fiat500 #fiat #cars #movie #ethanhunt #cinematic #deadreckoning #movies
    Watch Tom Cruise Roll a Fiat 500 in ‘Mission: Impossible — Dead Reckoning' | Anatomy of a Scene Ethan Hunt has found himself in many elaborate car chases throughout the “Mission: Impossible” franchise. But while the stunts have gotten bigger, this time, the car has gotten smaller. In “Dead Reckoning Part One,” a Fiat 500 becomes the star of a sequence set in Rome involving Ethan (Tom Cruise) and Grace (Hayley Atwell). The two find themselves handcuffed to each other as Ethan gets behind the wheel of their tiny getaway vehicle. Narrating the scene, the director Christopher McQuarrie said the inspiration for it occurred to him when he was scouting locations in Paris for a chase sequence in “Mission: Impossible — Fallout” and came across a Fiat 500 parked along the Seine. “I thought it would be great, the idea of watching Ethan Hunt and Tom Cruise driving in a car like that,” he said. This scene includes more humorous moments than the series’ previous car chases. And it involves Cruise having to navigate the Fiat around cobblestone streets, which the actor did himself. A climactic moment in the scene involves the Spanish Steps, when the Fiat bumbles its way right down the monument. #newyorktimes #missionimpossible #tomcruise #fiat500 #fiat #cars #movie #ethanhunt #cinematic #deadreckoning #movies
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  • Tom Cruise Always Dreamed of Throwing a Train Off a Cliff, So He Did It in Mission: Impossible 7

    The one and only Tom Cruise sat down with Complex to talk blowing up trains, THAT motorcycle stunt, and more for 'Mission Impossible 7.'

    #complex #tomcruise #missionimpossible7 #trains #stunts #movies #interview #motorcycle
    Tom Cruise Always Dreamed of Throwing a Train Off a Cliff, So He Did It in Mission: Impossible 7 The one and only Tom Cruise sat down with Complex to talk blowing up trains, THAT motorcycle stunt, and more for 'Mission Impossible 7.' #complex #tomcruise #missionimpossible7 #trains #stunts #movies #interview #motorcycle
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  • The intensity of the action epic “The Woman King,” starring Viola Davis and now in theaters, is balanced out with moments of levity, particularly in this training montage that sets up two key characters.

    Nawi (Thuso Mbedu) has been dumped by her father at the palace in the Kingdom of Dahomey in 19th-century Africa. She is taken in and trained to become a part of a group of female soldiers. The woman leading the drills is Izogie (Lashana Lynch), whom Nawi ultimately tries to emulate.

    “We’ve seen training montages before and they’re always fun and exciting,” the director Gina Prince-Bythewood said, narrating the scene. “What is going to make this one different?” She said putting the focus on the story of female warriors was “the element we haven’t seen.”

    Prince-Bythewood’s approach, one she employed in her previous action film, “The Old Guard,” was to have actors perform their own stunts. In this sequence, that means performers have to pull off a flip in a couple of wrestling scenes. First, it’s Lynch flipping Mbedu, which Prince-Bythewood said came with a caveat: Mbedu would only agree to being flipped six times. But apparently the sixth time was the charm.

    “You see it, she gets trucked,” Prince-Bythewood said.
    The segment where Nawi gets to pull the same maneuver on Ode (Adrienne Warren), a fellow trainee, came with a surprise.

    “The beauty of that moment, is at the end of the wrestling, Ode shoves Nawi,” Prince-Bythewood said. “That was not scripted. That was two actors so in the moment.”

    Read the New York Times review: https://nyti.ms/3dm6Dwu
    Subscribe: http://bit.ly/U8Ys7n

    More from The New York Times Video: http://nytimes.com/video

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    Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
    The intensity of the action epic “The Woman King,” starring Viola Davis and now in theaters, is balanced out with moments of levity, particularly in this training montage that sets up two key characters. Nawi (Thuso Mbedu) has been dumped by her father at the palace in the Kingdom of Dahomey in 19th-century Africa. She is taken in and trained to become a part of a group of female soldiers. The woman leading the drills is Izogie (Lashana Lynch), whom Nawi ultimately tries to emulate. “We’ve seen training montages before and they’re always fun and exciting,” the director Gina Prince-Bythewood said, narrating the scene. “What is going to make this one different?” She said putting the focus on the story of female warriors was “the element we haven’t seen.” Prince-Bythewood’s approach, one she employed in her previous action film, “The Old Guard,” was to have actors perform their own stunts. In this sequence, that means performers have to pull off a flip in a couple of wrestling scenes. First, it’s Lynch flipping Mbedu, which Prince-Bythewood said came with a caveat: Mbedu would only agree to being flipped six times. But apparently the sixth time was the charm. “You see it, she gets trucked,” Prince-Bythewood said. The segment where Nawi gets to pull the same maneuver on Ode (Adrienne Warren), a fellow trainee, came with a surprise. “The beauty of that moment, is at the end of the wrestling, Ode shoves Nawi,” Prince-Bythewood said. “That was not scripted. That was two actors so in the moment.” Read the New York Times review: https://nyti.ms/3dm6Dwu Subscribe: http://bit.ly/U8Ys7n More from The New York Times Video: http://nytimes.com/video ---------- Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
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